اتمنى يكون المقطع اعجبكم شكرا ع المشاهده
اتمنى ماتنسى الايك واالمفظله والكومنت ^_^
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مقلب مقالب تحدي اقوى مقلب فلوق تحديات بنت عبدالاله اخوي الكبير بنت اخوي
اذا وصلنا ٨٠ الف لايك بنزل مقطع ثاني في مصر حمسونا ياعيال ههههه
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ياليت اذا المقطع عجبك ما تنسى اللايك والمفضله والنشر يا بعد راسي ♥
We try to guess what region different kinds of BBQ pork come from. GMM #921!
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See more from Britain’s Got Talent at http://itv.com/talent
Saulo Sarmiento takes to the BGT stage in a bid to impress our Judges with his aerial pole act, but will they be won over by his twisting, topless antics?
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Small crossovers have become a major hit in recent years. That’s down to a range of factors including their 4×4-style looks and endless personalisation options – but the biggest factor is that they offer tremendous value for money.
For a similar price to a supermini, you can have a baby crossover that mixes style and space. And one of the most competitively-priced cars in the class is the Ssangyong Tivoli. The South Korean machine is tremendous value to buy and run. Want to know more? Then watch this video.
Prices for the entry-level SE model Tivoli start at £12,950. For that you get a small SUV with air conditioning, seven airbags, an electronic stability programme, cruise control and smart steering.
If you’re in the market for a diesel car, the 1.6-litre Tivoli SE is available from £14,200, and features lower emissions (BIK tax is in the 20 per cent bracket). And if you want the security of all-wheel-drive, the new diesel-engined Tivoli 4×4 diesel is available from £17,199.
When it comes to running costs, the Tivoli is just as competitive. The 1.6-litre petrol unit has an official average 44.1mpg rating, and emits 149g/km, which means annual VED costs of £145.
Ssangyong also provides a five-year, limitless-mileage warranty that covers common items such as wheel bearings, suspension and steering joints, bushes and shock absorbers. Brake pads and clutch friction plates are also covered for a year or 12,000 miles.
For that affordable price, and with those low running costs, you get everything you want in a small SUV: a roomy, rugged, robust and well-kitted crossover.
To learn more, visit ssangyonggb.co.uk.
Sometimes small roles can leave a big impression. And sometimes, they’re the only thing we’re talking about when the credits roll.. Subscribe: http://goo.gl/9AGRm
What did you think of the list? Do you disagree with any of our picks? Feel like we left out or mis-represented any of the films? What do you think are the best supporting roles in film history? What makes a supporting role stand out?
What other topics would you like to see us cover in future editions of CineFix Movie Lists?
Let us know in the comments!
THE LIST
Christian Bale – Dicky Eklund in The Fighter (2010)
And it’s not just the 63 pound weight gain and accent and biographical mimicry… Bale lights up the screen from the first frame with a performance that’s both histrionic and believable.
Robert Shaw – Quint in Jaws (1975)
He anchored the whole film, bringing a mysterious, sea-dogged sense of dread to the plain new-englanders he was surrounded by, elevating the film to a timeless classic in the process.
Jack Black – Barry in High Fidelity (2000)
Stealing every scene from Cusack with his erratic shenanigans and wild pantomimes – it’s not that John was bad, it’s just that pretty much nothing can top Jack Black at his full level of hyperactivity.
Angelina Jolie – Lisa in Girl Interrupted (1999)
Before Girl Interrupted, Angelina Jolie was known for frequent tv work and the occasional film role, but by the time she finished her explosive turn as a committed sociopath, gleefully creating chaos wherever she turned with the kind of screen presence usually reserved for Godzilla, she’d won herself a golden globe, an oscar, a teen choice award, and the kind of heat that would push her into the A-list stratosphere by the very next year.
Mo’Nique – Mary in Precious (2009)
Her performance turned an abusive mother into an almost 4 dimensional character, just as cruel and terrifying as human and heartbreaking.
R. Lee Ermy – Gny. Sgt. Hartman in Full Metal Jacket (1987)
After a video-taped tirade he sent to Stanley, Kubrick cast him in the role, let him improv most of his own dialogue, and basically handed him the whole first half of the movie, where he spits, curses, abuses and humiliates his way into our hearts.
Alec Baldwin – Blake in Glengarry Glen Ross (1992)
Not only did Baldwin’s character – or “fuck you” as he introduces himself – steal the show, so did the scene itself.
Orson Welles – Harry Lime in The Third Man (1949)
From the very first moment that Welles’ smile hits the screen, there’s no question that he’s stolen – in this case quite literally – the spotlight.
Joe Pesci – Tommy Devito in Goodfellas (1990)
He’s a Jack Russell with the bite of a bulldog, commanding any room his character is in with a temper shorter than he is.
Anthony Hopkins – Hannibal Lecter in The Silence of the Lambs (1991)
Hopkins scored a paltry 16 minutes of screen time, but made every 24th of a second count. He transfixes Clarice, the camera, and us for every moment he’s on screen, delivering one of the most chilling examples of upstagemanship we can think of.
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